The Hour of Daydreams by Renee Macalino Rutledge

At a river near his home in the Philippine countryside, respected doctor Manolo Lualhati encounters the unthinkable—a young woman with wings. After several incredible visits, he coaxes her to stay behind—to quit flying to the stars with her sisters each night—so they can marry. Tala agrees, but soon finds herself grounded in a new life where she must negotiate Manolo’s parents’ well-intentioned scrutiny. As Tala tries to keep long-held family secrets from her new husband, Manolo begins questioning the gaps in her stories, and his suspicions push him even further from the truth. Weaving in the perspectives of Manolo’s parents, Tala’s siblings, and the all-seeing housekeeper, The Hour of Daydreams delves into contemporary issues of identity and trust in marriage, while exploring how myths can take root from the seeds of our most difficult truths.

ADVANCE PRAISE

“With its enticing undertow of secrets and magic, The Hour of Daydreams will seduce readers with its reverence for mystery, its gentle humor, and its deep empathy for its characters’ longings and losses. Sometimes it takes a village to tell a story as extraordinary as this—and Renee Macalino Rutledge has managed to do just that.”
– Cristina García, author of Dreaming in Cuban

“The Hour of Daydreams isn’t just a wonderful book—it’s a lyrical and poetic journey, one that’s simultaneously magical, surprising, and mesmerizing. It’s a love story, fable, fairy tale, and contemporary novel woven together with seamless thread, reminiscent of Isabel Allende. A brilliant start to a beautiful literary career.”
– Erin Entrada Kelly, author of The Land of Forgotten Girls

“Macalino Rutledge’s debut novel is a tale of dreams and secrets and what is hidden inside a marriage, and what cannot be denied. The writing is vivid and evocative, the world richly textured and alive. Here the duende speaks!”
– Micheline Aharonian Marcom, author of Three Apples Fell From Heaven

“Renee Macalino Rutledge’s The Hour of Daydreams is a stirring and haunting exploration of marriage, culture, and gender roles. You will find yourself cheering for Tala and Manolo as they stumble through fears and desires, and you will celebrate the choral narration with its multiple perspectives on love and community. This debut novel is a delicate weaving of mythology and everyday lives and it is a necessary addition to the literature of the Filipina diaspora.”
– Daisy Hernández, author of A Cup of Water Under My Bed: A Memoir

“A beautiful book that collapses the boundaries between reality and fairy tale, The Hour of Daydreams is both gritty and poetic. The atmosphere is fresh and vivid, like a broad green leaf shimmering with raindrops.”
– Elena Mauli Shapiro, author of 13, Rue Therese and In the Red

A NOTE FROM THE PUBLISHER

Renee was born in Manila, Philippines and raised in Alameda, California, where she lives with her husband and two daughters. She received her bachelor of arts in English from UC Berkeley and master of fine arts in English and Creative Writing from Mills College, where she received an Alumnae Scholarship and was the prose editor for 580 Split. A long-time local journalist, her articles on arts and culture, parenting, and lifestyle have appeared in ColorLines, Filipinas Magazine, Oakland and Alameda Magazine, the San Francisco Bay Guardian, The East Bay Monthly, The Children’s Advocate, Parents’ Press, and others. Her reporting on minority issues facing Filipinos was nominated for a New American Media Award and New California Media Award by the editors of Filipinas Magazine. Her creative writing has been published in Red Earth Review, Mutha Magazine, and Ford City Anthology, and is forthcoming in the 2017 Women of Color Anthology.

The Golden House by Salman Rushdie

A modern American epic set against the panorama of contemporary politics and culture—a hurtling, page-turning mystery that is equal parts The Great Gatsby and The Bonfire of the Vanities
 
On the day of Barack Obama’s inauguration, an enigmatic billionaire from foreign shores takes up residence in the architectural jewel of “the Gardens,” a cloistered community in New York’s Greenwich Village. The neighborhood is a bubble within a bubble, and the residents are immediately intrigued by the eccentric newcomer and his family. Along with his improbable name, untraceable accent, and unmistakable whiff of danger, Nero Golden has brought along his three adult sons: agoraphobic, alcoholic Petya, whose rambling soliloquies are the curse of a tortured mind; Apu, the flamboyant artist, sexually and spiritually omnivorous, famous on twenty blocks; and D, at twenty-two the baby of the family, harboring an explosive secret even from himself. There is no mother, no wife; at least not until Vasilisa, a sleek Russian expat, snags the septuagenarian Nero, becoming the queen to his king—a queen in want of an heir.

Our guide to the Goldens’ world is their neighbor René, an ambitious young filmmaker. As research for a movie about the Goldens, he ingratiates himself into their household. Seduced by their mystique, he is inevitably implicated in their quarrels, their infidelities, and, indeed, their crimes. Meanwhile, like a bad joke, a certain comic-book villain embarks upon a crass presidential run that turns New York upside-down.

Set against the strange and exuberant backdrop of current American culture and politics, The Golden House also marks Salman Rushdie’s triumphant and exciting return to realism. The result is a modern epic of love and terrorism, loss and reinvention—a powerful, timely story told with the daring and panache that make Salman Rushdie the standard-bearer of our dark new age.

PRAISE FOR SALMAN RUSHDIE
 
“A glittering novelist—one with startling imaginative and intellectual resources, a master of perpetual storytelling.”—The New Yorker
 
“[A] writer of courage, impressive strength . . . and sheer stylistic brilliance.”—The Washington Post Book World
 
“Swift in Gulliver’s Travels, Voltaire in Candide, Sterne in Tristram Shandy . . . [Rushdie] is very much a latter-day member of their company.”—The New York Times Book Review
 
“One of the major literary voices of our time.”—San Francisco Chronicle
 
“Rushdie’s synthesizing energy, the way he brings together ancient myth and old story, contemporary incident and archetypal emotion, transfigures reason into a waking dream.”—Los Angeles Times
 
“The most original imagination writing today.”—Nadine Gordimer
 
“Rushdie is our Scheherazade.”—Ursula K. Le Guin, The Guardian
 
“Everywhere he takes us there is both love and war, in strange and terrifying combinations, painted in swaying, swirling, world-eating prose that annihilates the borders between East and West, love and hate, our private lives and the history we make.”—Time